Mockingbird


On Virgin flight 315 from SFO to Love Field, a girl
vomits into a sick bag. Contents of her stomach: everything

 

bagel, water, vodka, light beer, roll of film, lithium
batteries, aerosol canister, fireworks. A father

 

will soon collect her from baggage claim. Now,
she folds herself into the shape of a mockingbird

 

so she can mimic the songs of other girls,
yes, yes, yes. A quiet refrain. A little restraint

 

on the high notes. Her perch beside the wing
of the plane headed to another state, singing

 

in the aluminum cylinder that crosses sky
at nearly the speed of sound. She finds

 

she cannot see her feet anymore, buried beneath
so many feathers plucked from her skin. Only bumps

 

left on her arm. Goose: not a silly animal, rather
territorial. Not flighty, with its nest tucked

into the ground. Migratory, the girl swallows
her nausea, prepares for landing, unsure how to hide

when every inch of her was exposed
last night: hands on breast, panties left balled

in the corner of a dormitory shower. She touches
her back, the backs of her arms, flesh raised

and purple. Fuel—powerful stuff. Featherless,
a plane is propelled back home.

Poetry

5 August, 2023

Hannah Smith


Hannah Smith is a writer from Dallas, Texas. She is an MFA candidate in poetry at the Ohio State University, where she serves as the Managing Editor of The Journal. She is a Best of the Net nominee, and her poems have been published or are forthcoming in Gulf Coast, Mississippi Review, Nimrod, Palette Poetry, and elsewhere. Her collaborative chapbook, Metal House of Cards, was written with Amanda Maret Scharf and is forthcoming from Finishing Line Press. You can find her online at hannahsmith.net.